Die #Musikmesse findet mit #SUPERBOOTH16 ab jetzt in #Berlin statt!

Mit SUPERBOOTH16 holt SchneidersBuero vom 31. März bis 2. April erstmals zum ganz großen Messeschlag aus. Was einst als Stand auf der Musikmesse Frankfurt begann, wird nun in der Hauptstadt als breit angelegtes Kulturfestival fortgeführt. Mit dem historischen Funkhaus Berlin könnte der Veranstaltungsort akustisch wie architektonisch nicht besser gewählt sein.

Continue reading

#OutNow: Irregular Synth – Hurricane on !Organism @digitalorganism

!Organism make a carefully selected foray into the vinyl market with their next EP, which comes both digitally as well as on wax, with different tracks making up each package. The revered Irregular Synth is the man behind the fresh originals and is an Italian producer with a worldwide fan base. He has released on this label before now to great acclaim, as well as on Loose Records and many more, and has a steely and singular style.

Continue reading

Dr. Motte DJ Live Mixtape from Afterhour Oberpframmern 1992

contact: booking@praxxiz,de – www.drmotte.de

this is the first side of a mixtape recorded during afterhour live dj set i did in oberpframmern ,bavaria germany 1992, after a party with me at babalu munich …

Afterhour in Oberpframmern 1992 by Dr. Motte on Mixcloud

thank your for listening & sharing 😉

TIP: Klang & Schamanismus – Klangwirkstoff Records #Release #Party @ Ritter Butzke

Freitag 27.09.2013 ab 20:30h
im Ritter Butzke Berlin
Ritterstr. 24

Record Release Party – Klangwirkstoff Records & Separated Beats:

Active Agent Of Sound II – V. A. (Compilation KW009) +
Michael Brückner – Naura (KWDIGI003) +
Psychotikum – Sadhu (Sublabel: Separated Beats SBDark001)

Klang und Schamanismus

Vorträge von:

Nana Nauwald- Von der heilsamen Wirkung des Klangs im Schamanismus
Hans Cousto – Musikalische Stimmungen und die Psychonautik (download: pdf)

Atropa, ein Film von Peter C. Beyer 30 Minuten, experimentelle Dokumentation mit Nana Nauwald, Musik: Akasha Project, B.Ashra und Yannick Franck.

Continue reading

OutNow On @PRAXXIZ Superstobe – Paradox EP #music #GEMAFREI

Superstobe – Paradox EP

Is it possible to combine dark and lovely atmospheres?
The answer is: PARADOX! Once again Superstrobe joined extreme opposites.

Let the groove be the proof and convince yourself – you’ll be amazed!

Superstrobe Paradox EP on PRAXXIZ Continue reading

#Klanghelm #Freeware #IVGI #Saturation #Distortion #music #audio #plugin

IVGI – saturation & distortion

Klanghelm IVGI saturation & distortion freewareIVGI can deliver very soft and subtle saturation, that feels at home

on the master buss. It is equally capable of very dense and dirty
distortion effects to spice up single tracks. 

IVGI’s base sound is comparable to the DESK mode in the upcoming
big brother SDRR.

Just as SDRR, IVGI reacts dynamically to the input signal. Even the
modelled fluctuations react dynamically and also change depending
on the drive setting, so that it doesn’t get in the way of the
SOUND. Stereo tracks benefit from it’s modelled crosstalk behaviour.
Just as its big brother SDRR, IVGI features a “Controlled
Randomness”, which determines the internal drift and variance inside
the unit. It contributes to the livelyness and realness of IVGI’s
saturation character. All internal processes are modulated to some
extent to make this possible.

IVGI gives you a sensible amount of controls to manipulate the
character of the saturation itself. It offers a unique ASYM MIX knob
to alter the symmetry of the signal without affecting the harmonic
content much. Usually, asymmetry leads to an increase of even
order harmonics. But in IVGI’s case, dialing in the asymmetry makes
the negative part of the signal “cleaner”. This way you can preserve
the dynamic structrure of the source better and get a more
transparent result. Actually, you can think of ASYM MIX as a
transparency control.

IVGI also lets you alter the frequency dependency of the saturation
with the RESPONSE control.

IVGI is internally calibrated to 0VU = -18dBFS.

IVGI is free! So try it out for yourself.